SO HARD TO FORGET talks about conflicts and feelings a lot of people have to deal with. The situations and emotions lived in the story may be on the trajectory of any of us, making the story attractive and funny.

Two women form the central love couple, but when the relationship ends, an amount of memories and pain is revealed. With the internal conflicts and the necessity of an adaptation to a new life, the protagonist Julia doesn’t hide her pain. She will meet and relate to other people who are living the same experience of losing something really important in their lives. Everyone shares the experience with pain, loneliness and desire for better days.

Dealing with universal subjects, so common in the current daily life, like love, lost, loneliness, friendship, sex, the plot of SO HARD TO FORGET gains immediately with the identification and complicity of the viewer, no matter what sexual option they chose. The story shows conflicts and feelings common to most people. In that way, the situations presented on screen could be happen right now or could have already happened to the viewer. And it could happen someday. This is one of the strongest points of SO HARD TO FORGET: people will identify with the movie.

The proposal of direction, production and everyone involved in the project is to make a long film of high technical and esthetic quality. We understand that our great intention is to make a movie that catch the public, generate identification, moving the viewers, guaranteeing this way, critical and public responses.