Editing in AVID - Marta Luz

TARGET PUBLIC

Students interested in Editing Films and in the process of the Post-Production of a Film

PURPOSE

In general , this workshop is for all those who wish to become involved creatively and technically with the language of film.
We will identify the basic principles and the practice of editing films , proposing to make clear the editor’s responsibilities towards the film and the production.

CONTENT

The first three days of the workshop consist of theory classes about the basic principles of editing , presenting texts and examples of diverse editing styles , and the basic responsibilities of an editor. The two final days will be dedicated to practical exercises in editing.

FIRST DAY

Summary of the route from the exposed negative to the final copy
Laboratory and sound studio
The organization of the filmed material
Schedule versus Production

SECOND DAY - Principles of Editing

Construction of a clear continuity
The Correspondance of consecutive activities
Modification of the size and angle of the image
Preservation of the sense of direction
Duration of planes: Rhythm and tempo
The importance of sound

THIRD DAY – The Practice of Editing

Educational Documentary
Documenting ideas
Dialogue sequences
Comic sequences
Action sequences
The Importance of Music

FOURTH DAY

The Editing of a Sequence Without Dialogues ( exercise in groups of 5 students )

FIFTH DAY

The Editing of a Sequence With Dialogues ( exercise in groups of 5 students )

Curriculum Vitae

PROFESSIONAL EXPERIENCE

Editing of Feature Films :

· " CARLOTA JOAQUINA " by Carla Camurati
· " MIL E UMA " by Suzana Moraes
· " STELINHA " by Miguel Faria Jr.
· " MANOUSHE " by Luis Carlos Begazzo
· " JARDIM DE ALAH " by David Neves
· " DEDÉ MAMATA " by Rodolfo Brandão
· " AUTO DA COMPADECIDA " by Roberto Farias
· " COM LICENÇA EU VOU À LUTA" by Lui Farias
· " LUZ DEL FUEGO " by David Neves
· " O SANTO E A VEDETE " by Luiz Rosemberg Filho
· " MUITO PRAZER " by David Neves

Sound Effects Editing in Feature Films :

· " O BOTO " by Walter Lima Jr.
· " 100% BRASILEIRO " by José Sette
· " CORPO À CORPO " by Iberê Cavalcanti
· " O REI DA VELA " by José Celso Martinez Corrêa.

Short Film Editing :

· " SOLO DO CORAÇÃO " by Marco Antônio Simas
· " ANTES DA EXPLOSÃO " by André Shultz e mauro Heitor
· " GARGANTA " by Rodolfo Brandão
· " UM DIA, MARIA..." by Marco Antônio Simas
· " CONE SUL " by João Guilherme Barone
· " O PANO DA COSTA " by Amália Lucy Geisel e Lodi
· " VINÍCIUS DE MORAES, UM RAPAZ DE FAMÍLIA " by Suzana Moraes
· " EMOÇÕES E FANTASIAS " by Álvaro Pacheco Filho
· " QUALQUER SEMELHANÇA É MERA COINCIDÊNCIA " by Daisy Newlands
· " ZACARIAS " by Paulo Laborne
· " HISTÓRIAS DO GARIMPO " by Paulo Laender
· " UM FILME FAMILIAR " by Luiz Rosemberg Filho
· " AMÉRICA " by Octávio Bezerra
· " PEDRA NO CAMINHO " by Marco Antônio Simas
· " CADÊ JOÃO ? " by Fausto Balloni
· " NADA ALÉM " by Sérgio Lara